drawing, printmaking, performance, painting
Imprinting the influence of each on another, while keeping sensitive.
Seeing parralels between the upheavals late medieval/ early renaissance Western Europe and our own times, I have drawn on Durer as a model this year.
Conflicting human paths and desires are pitted against a clarity of purpose, in a climate of intense awareness of the natural world, expressed in a series of etchings and in performance.
Large etchings developped during a residency at Anglia Ruskin printmaking department explore visual links between the Green Man and Christian imagery.
Performances using shadow-play link inner struggles to myth and story-making as a communal process.
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